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THIS IS WILDLIFE ART

WHERE THE WILD LIVES ON...

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LATEST NEWS FROM THE STUDIO

I am pleased to say I will be running a demonstration at Sculpture by the Lakes, in Dorset on 8th May 2026. My tawny owl, barn owl, cockatoo, and peacock sculpture are part of their FORM exhibition, which runs from 4th April to 20th June in the Gallery by the Lakes.

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I will be showing visitors a behind the scenes view of my work, showing how I create my paper sculptures from start to finish, as well as how I cut, paint, and layer my paper feathers. 

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I will be in the Gallery in the Makers Yard at Sculpture by the Lakes, Pallington Lakes, Dorchester, DT2 8QU. More information can be found on the link below:

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COLLABORATION WITH DARTMOOR ZOO

I have partnered with Dartmoor Zoo in support of conservation efforts for the critically endangered Amur leopard. With an estimated population of around 100 individuals remaining in the wild, it is the most endangered big cat on Earth and a species fighting for survival.

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Dartmoor Zoo’s male Amur leopard, Freddo, recently welcomed a cub with his partner Lena, one of only 15 Amur leopard cubs born worldwide in 2025. This remarkable event highlights both the fragility of the species and the importance of conservation breeding programmes.

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Inspired by Freddo and this rare continuation of the species, I am sculpting him life-size in a new work titled Bloodline. The sculpture will be produced as a limited edition of just six. The first piece will be displayed beside Freddo’s enclosure at Dartmoor Zoo until September, when it will be auctioned to raise funds to support the protection of Amur leopards.

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The power of one. The triumph of many. The bloodline endures.

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The finished clay original of Freddo: Bloodline, 2026

RESEARCH TRIP: KENYA

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In October 2025, I had the pleasure of visiting one of my all-time dream destinations: Kenya. Renowned for its breath-taking landscapes, rich diversity of wildlife, and world-famous safaris, it was the perfect place to observe and study animals up close in their natural surroundings. From lions and rhinos to lilac-breasted rollers, Kenya’s ecosystems are among the most dynamic and inspiring in the world, with the iconic Masai Mara at their heart.


I travelled there not just to see, but to understand, to look for the subtle interactions, gestures, and rhythms that make the savannah come alive. This research trip has left me profoundly inspired, and what I’ve brought back to the studio is the beginning of something truly exciting…

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An elephant in front of the infamous Mount Kilimanjaro in Amboseli National Park, Kenya

COMMISSIONS

A small number of commissions are undertaken each year, each one developed with the same quiet attention to form, presence, and narrative as the wider body of work. Recent commissions include work developed in collaboration with wildlife organisations and private collectors.

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​​Approach

Commissions begin with an idea, but are shaped through a process of observation, refinement, and material understanding. 

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Whether working from a specific species, an individual animal, or a broader concept, the intention is to create a piece that feels both grounded and timeless. 

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Scope​

Commissions range from private collector pieces to larger, site-specific works. This may include:

  • Wildlife sculptures for private collections

  • Memorial or significant pieces

  • Work developed in collaboration with organisations or institutions

  • Larger-scale or outdoor sculpture

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Process​

The process is collaborative, beginning with your initial idea and eveloping through careful refinement and making:

  • Initial discussion and outline of the idea

  • Agreement on direction, scale, and material

  • Development and refinement

  • Creation, finishing, and delivery

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Timescales vary depending on the nature of the piece, though a clear timeline will be established early in the process.

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Materials

Commissions are typically produced in  bronze, cast stone, or mixed media, depending on the requirements of the piece. Material is chosen not only for durability, but for how it supports the presence and character of the sculpture. 

​Enquiries

If you are considering a commission, you're welcome to get in touch with a brief outline of your idea, including scale, subject, and intended setting if known. 

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From there, I can advise on approach, feasibility, and next steps. You can get in touch on the following email: jamielordart@gmail.com or through the button below.

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CUT FROM THE SKY

A deep dive into the making of a paper bird sculpture, and 'paper patina'.

Paper is a medium I’ve been drawn to since childhood, familiar, accessible, and endlessly versatile. Its tactile quality resonates with people because it’s so universally known, yet its creative potential is often underestimated. Paper lends itself to a wide range of styles, from abstract, free-form 3D structures to highly detailed, photo-realistic work.

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I have experimented with paper’s strength, flexibility, texture, and ability to take on colour. ​​

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In my sculptures, I combine a variety of materials to bring each subject to life. I often use paper as a kind of ‘cladding,' much like feathers on a bird, allowing it to be the defining surface element while relying on stronger materials for internal structure. This lets the paper shine as a primary visual feature without compromising durability.

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Each piece is built to last. I use only the highest quality materials available today.

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INSTAGRAM

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Follow me on Instagram to see daily updates and get a closer in depth look on why and how I make what I make.

You'll find me @jamielordart

Contact
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CONTACT ME

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